Thursday, January 9, 2020
Dueling Religious Ideologies Seen in Shakespeareââ¬â¢s The...
The dueling religious ideologies seen in Shakespeareââ¬â¢s The Merchant of Venice serve as the cornerstones not only of the characterââ¬â¢s arguments during the trial at the end of the play, but of the definitions of the characterââ¬â¢s own self-perceptions. Shylock, the playââ¬â¢s ââ¬Å"villainâ⬠and the most prominent of the playââ¬â¢s three Jewish characters, employs his religious identity in defining his conception of masculinity, connecting his perception of what it means to be ââ¬Å"maleâ⬠with his profession, which he is allowed to practice due to the tenants of his Jewish faith. This economically defined perception of his own masculinity becomes Shylockââ¬â¢s undoing, as the play shows the slow decline of his economic fortune, which comes to represent a kind ofâ⬠¦show more contentâ⬠¦Within his own home as well, Shylockââ¬â¢s masculinity and his position as the head of the household are again defined through his economic dominion over t hose in his service. His daughter, Jessica, is unmarried and therefore still the economic responsibility of her father, playing not only into Shylockââ¬â¢s economic, but also his blood dominion over his only daughter. Isolated from the greater Venetian society by her Jewish faith, Jessica is further isolated by her fatherââ¬â¢s drive to assert his masculinity through his control of her. In Act 2, Scene 5, Shylock demands that Jessica ââ¬Å"lock up my doorsâ⬠(2.5.30), and not ââ¬Å"let the sound of shallow foppery enter/My sober houseâ⬠(2.5.36-7). He treats he no better than he does Lancelot, ordering her as a master would his servants and in terms seemingly devoid of all fatherly affection. While Shylock bolsters his own masculinity through these act of ââ¬Å"fatherlyâ⬠domination of his daughter, he is unaware that Jessica is plotting a means by which she can emasculate her father and escape his influence once and for all. While the verdict of the trial se rves as the final blow to Shylockââ¬â¢s masculinity, with Antonioââ¬â¢s request that he be forcibly converted to Christianity serving as the actual act of castration, the process begins much
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